Zine Platforms

I have been into ZINES for years…..and have not really struggled but surely had my eyes open to new ways to approach a ZINE in terms of pre-production. Pre-production is what many are not even aware of regarding a ZINE.

Yes, pre-production does involve taking images and the process, be it film or digital…. One can’t do photo zine without photos. But let’s say you have your theme or project and your images are in your files, or negatives are ready to scan. How about transferring that to a physical Zine?

This is where some pre-production once more occurs. Two parts to this process. First is the laying out of your photos as in some sort of contact sheet. In the old days of film, we would always create a contact sheet of our roll of film. Looking at this contact sheet we could determine what was good enough to be printed. Printing in the old days and viewing was a long (time wise) and a relatively expensive process with chemicals and paper etc, so very few negatives on any given roll was actually printed. Now, whether digital or film (I scan my negatives), I come up with some sort of digital file. In order to actually view my images on some broad spectrum, I need to create a contact sheet with all of my images that I ‘want’ or ‘perhaps want’ to use in an upcoming zine.

Below….is my most recent contact sheet I am using (not done with this zine pre-preduction phase). As you can see, this contact sheet has icons of multiple images. This allows me to quickly view my potential images to use. If I don’t do this, I can have a hundred ‘best’ photos from any given project all strewn within various folders and files on my computer. In essence, I wouldn’t know where to begin as I moved forward. Hence, this contact sheet.

Also take note that within or next to each image I have various aspects written in….Sometimes I use this data in my zine and other times not. But data such as F stop, ISO, shutter and focal length. As I put together my photo zine, I do so by connecting images that flow. This ‘flow’ might be subject matter, sequencing of when images taken, groupings or solo shots….whether the image is mostly black, or white or in between. All of this makes a difference in putting together the right visual appeal of a zine.

It isn’t about just tossing images in…. It isn’t about placing in sequential order of when I took the image. It is just….what makes sense to create that all important visual appeal. Now in this project, I have hundreds of photos, so after scanning (if film) or downloading….I had to open up each image to select what I thought matched my criteria. My criteria was spoken to in the previous blog, so return to my blogs and read that one.

Once I have my contact sheet printed out, and I might add data next to each image….I then have to decide….what is my first photo? Make sure you start off on the right foot. Capture your audience with the first few photos. But don’t just load up the front half of your zine with the good photos and then run dry as you get to the end. Carefully and craftily you have to spread your “WOW” photos throughout. Thus, this is where the contact sheet comes into play.

Now….okay….I am ready to go, right? Well….not quite. Have you decided on what software to use to put together your zine? You need something as you can’t just send your images to the publisher (online or local) without them knowing the direction you are taking. Thus, software allows you to piece together your photos, one by one….. place in text or any little drawn on images, or arrows or whatever…..Remember you are creating a book /zine…. so take the time in this creation process and make it stand out.

There are several software programs out there….. For instance for years I used PAGES which is free on my IMAC. While I got used to this software, it had its limitations and it was frustrating to move back and forth between pages, grouping and regrouping images and text….having things disappear on me etc…

So…I went looking on line….. I won’t provide you with a listing of software but will tell you I settled on Affinity Publisher. It was a one time $69 US dollar fee and not a monthly fee. I hate monthly fees. So for $69 I get my registration number which I can transfer to multiple computers so my IMAC is Arizona has it installed as does my IMAC in Philadelphia, as does my laptop. COOL! ….

I like Affinity for several reasons. First the $69 is cheap. Second….this is more user friendly in terms of setting up pages and moving pages around. Third, it has a ‘master page’ or pages, where I can create my own template to use for the entire project instead of inventing the wheel each page. Fourth, I can turn and twist images and text so it isn’t plain and dry and just straight on. I am creating something I want people to view, so I want to be ‘funky’ where funk is needed. Fifth….lots of room to grow. Tons of options, tons of things I have no idea exist in this software but room to grow. For instance, I can have backgrounds that are not one solid color but have gradients where colors meet, or blend or fade etc… That all offers a chance to enhance my final product.

So Affinity Publisher….. And, one of my goals is to get others on board with ZINES and teach this. So now I have a teachable software that is available for both PC’s and MACs and is relatively cheap,

Stay tuned…. my Melbourne Series is being worked on as we speak…..

Film? Far From Bias I am, right?

This is a post that perhaps some….well for sure, those who shoot digital…will not grasp. For those that shoot film, well…..you are the ‘some’ that I am speaking to for you will grasp this.

What is art? ;….. art as in photography. For me, it is film and nothing more or not less, yet in my mind, digital photography is a bit less. And why might that be? Questions to ponder and for the most part those questions are responded to by imagery represented within film, and the process one takes to derive it.

Let’s go back, whether to Mathew Brady or Ansel Adams or anyone in between or forth that shot film. It doesn’t make a difference if you are medium or large format or 35mm or even if you are shooting video of the same film line. The process that is needed to truly shoot and capture that ‘slice of life’ in a way that represents true art, humanity…the essence of that ‘slice’….has to be done via the process of shooting film.

I was just in a forum the other day where Ricoh came out with a new GR digital which has a new feature to better capture the look of film. But why….why not just shoot film in the first place? It has utterly been decades since digital photography came out and it seems that the nirvana of many camera makers is still to develop a digital process that produces film-like images. Photographers can sense an image that just ‘gets it’…. or many semi-professional/pro’s can tell when an image is film. Why would manufacturers such as Sony, Fuji, Ricoh, Leica, Canon, Nikon, and Olympus/OM System….continue to want to capture film-like images and do so via digital gear? Because many people like that feel; be it black and white or color. Recent firmware updates and in-camera settings that have the mood and character of film….and use various filters embedded in the cameras that attempt….and I use that word judiciously ….’attempt’ to have as an end product, a filmisque quality about it. Even today, with decades between us and when digital first came on board…..many photographers inherently see a need for the film-look. They keep putting forth new products and cameras and software and mega-pixels and ND filters and mist filters and whatever…. Some digital photographers even return to early. digital such as the Leica M8 or M9, the early versions of Contax or Ricoh GR….all because someone says that they come ‘close’ ….(but never achieve) the quality of film.

So… that viewpoint is ‘out there’….it simply exists. Now let’s take a leap into the artistic world. And this is where the split between digital and film take another twist.

They shoot horses (scratch that; I mean film)…don’t they? When shooting film the emphasis is on ‘prior to taking the picture’…as opposed to ‘after the shot has been captured’ which is more akin to digital photography …..I argue there is a certain artistic talent that relies upon that pre-step of the process. For instance, when I shoot film, I know ahead of time what I want my image to become and sometimes I actually achieve it. When in the field….I am forced to truly comprehend the relation of sun/light and shadows. as I read the scene. I am watching and waiting and sometimes that wait corresponds to minutes and half-hours …or more…or I return to the scene later on. I wait….I set my ‘triangle’ of exposure and understand the relationship between all three parts of that triangle. I react to it….. F8 or F2 or F16….and use the exposure comp dial if the lsubject and light might dictate it …. Do I dial in 500 shutter or 250 or maybe a 1000 but no more, since my old camera is limited to no more. ISO (or is that ASA?) is set as I place in the film…… either way, I just go for it. One press of shutter at a time and then, guess what? I do it all over again before I press the shutter for image number 2. I add in other minor things such as if I want to use a ND, depending on my lens…. An ND of 2 or 4 or 6 or 8 or ? …. I see the connection between everything. I overexpose or underexpose….. I am not about “post’ processing, rather…I am concentrating on the ‘pre processing element’…. I stand up, or take a step back using my prime lens…. I move and circle my subject and I embrace the situation.

Phew…. I take a shot…I have captured it. But I have absolutely no immediate feedback to tell me what I did right nor wrong as film cameras have no ‘live view’. I just have my intuition as an artist….as art. I move on. I might have captured 1 to 5 photos of the same scene and in most cases, one shot, or maybe two. It isn’t that I negate any post-processing, but with. the exception of a bit of contrast (which film just plains lacks), I am done with just touching up on the contrast, as opposed to…well; read on.

Now…..I am not going to repeat the process for digital, for it is for many….the vast majority now I dare say….an act of placing the camera in ‘auto’….. or….just snapping and going back to photoshop with my thousands of shots taken, and pressing buttons until visually I see what I want. The so called ‘art’ emulating from this process is not a matter so much of skill (yes, bash me…..), but rather which button and which sequence and to which layer in photoshop do I deal with and ultimately accept as art. Or, a digital camera can present ‘live view’ where the photographer sees exactly what the image is and presses an ISO, or Exposure or shutter or aperture and without any real knowledge of why or how they interrelate, the ‘live view’ tells them the image is fine.

But admittedly, there are also excellent digital photographers who bring to the table a finely honed craft and set of skills. I will never diminish them. I simply state that the manner or process of getting images differ from film and digital. And, the digital never quits looks like film and film never looks like digital. Let’s understand that.

To me art…..is the process of creating via my brain and my intuition and my skill….as opposed to having a software program thick with AI, create for the image as many do. AND, don’t even get me started on phone photography.

There …..it has been written….and as Ramses supposedly might have said years back in the ages of the Pharaohs and ancient Egyptians…..“So let it be written, so let it be done”.

The photo below isn’t an award winner….but it is a creation. You see the light or I should say, where it is? I needed to take that into account. I used the shadows below the ladies eyes to my advantage and exposed for what was visible as opposed to getting her entire face and in perfect exposure, for …in this particular ‘slice of life’….this is how she presented herself to me and her unique raccoon look. Why change that? the deep shadows….the darkness…the slightly overexposed chest or the bright nose of her partner….there were all naturally occurring in the scene. That is what the image ‘wrote’ in reality’…and that is what was captured. This is indeed a slice of life; an art exposed and composed to represent what was in front of me (in black and white of course)….. :-), with only one shot taken…one and only one.