Barnacks...Down Under

I am off on my yearly and soon to be, bi-yearly adventure down to Australia as I have a daughter there with two grandkids and one on the way. Yes, a camera decision to make. Taking the ultra-small Ricoh GR is a give-me as I take photos of grandkids. But, which film camera to haul along? …Leica MA and if so, what lens(s)?, Leica Barnacks 1 Model A, or Olympus OM-1 and which Lens’s? My Decision…. leaned to the Barnacks…. Keep reading to understand my reasoning. You see, rarely do I shoot even a dozen images per day, when I venture into the streets. I like to frame my shots, slowly compose them…carefully craft the ending image, and yet admittedly, that goes with any camera. But it really relates to a Barnacks. Now, to grasp what a Barnacks ‘is’, let me ‘step out’ this camera to you and the process:

• Find a shot….not particularly unique here but perhaps unique in my view of the process. I look for the angle, the shadows, the tones, contrast….

• It is a Leica, so I need to make sure the lens cap is ‘off’ (same as with my MA!) and then pull out the lens and lock it in place. The Barnacks has a retractable 50mm Elmar lens.

• Advance the film manually in the Barnacks. It takes one complete turn of the knob.

• Using the sunny 16 and my 400 ISO film, I determine shutter and F-stop. Am I exposing for the shadows or the light? I cannot adjust the shutter (20, 30, 40, 60, 100, 200, 500) on the Barnack’s until after until ‘after’ I advance the film.

• Select the F stop….The stops on the Barnacks do not equal what we normally see on cameras today. The stops on a Barnacks are: 3.5, 4.5, 6.3, 9, 12.5 and 18. This requires a bit of re-thinking as the stops of yesterday, are not equal to the usual stops on cameras today, so a bit of re-adjustment in how to approach this needed.

• Then I take the protective screw off of the shutter button. This helps prevent accidental taking a shot.

• The focus on a Barnacks is not determined by a traditional rangefinder mechanism as we know of it today, unless I have an accessory called a FOKOS which fits on the top of the shoe (only reason for the shoe mount ). Otherwise the Barnacks focuses based upon ‘distance’ ….in feet or meters, depending on the version you have. It is surprisingly not all that difficult to measure by distance estimation and is rather an enjoyable part of the process.

• Once I have distance estimated or more precise using the FOKOS, I can now move the lens focus to the appropriate feet in length. On a Barnacks 1, Model A, you have to release the ‘lock’ on the focus adjuster on the lens. This is done by pressing the ‘hockey stick’ (which was what it was informally called) and sliding the lens counterclockwise to the estimated distance, in order to focus.

• After the above has been complete, I can then move my eye to the viewfinder and compose my shot. The viewfinder has no connection to focus, distance etc…merely composition as one frames the image.

• (h) Press shutter …. Then be prepared to do all of that all over for another shot, when / if, one presents itself.

FOR ME…..that entire process adds to the experience of creating, and crafting, and tooling and slowly ticking the boxes with a check. In no manner is this process akin to any automatic or “P” mode function or that of a traditional rangefinder for focus or cameras with light meters etc… You see, I am a bit of a highbrow when it comes to this particular camera, and relagate more modern camera designs to that of just taking a tourist shot, or an everyday snap shot…. A Barnacks’s is purposeful…. it is imprecise, it is slow, is can be tedious, success implies I shoot alone, so I can force myself to get into my zone, I immerse myself into the process. I demand that the tool I use, equals the rough 1930’s photographic outlook that at times, I require.

Barnack's

In my continued quest to expand my ‘challenge’ ….to push my 35mm learning curve etc…. and of course to do so using film; I purchased a Barnack 1930’s Leitz 1 Model A camera.

I am off digital…..well, with the exception of taking ‘snapshots’ of my grandkids with my iPhone, or perhaps roaming the streets with a Ricoh GRD or GR2 or GR3…. Digitals are a different species, simply put. The enjoyment I get from my Ricoh’s is capturing the human in the wild, their expressions…their mannerisms etc… Yet I find myself not being driven to digital with any substance, depth. Frankly, most people who shoot digital or even film; lack impact…lack depth, lack subject matter. They are purely snapshots at best.

As I having been shooting my Leica MA lately, I have enjoyed it all. Love film. It has been a bit cold outside with the windchill and all, so I have been ‘Ebaying it’ and perusing my Leica books and ran across the older Barnacks. In the past I haven’t given them a thought as I was too focused on the latest, as opposed to earlier models which might actually be better. I found a few Barnacks and put myself thru the ‘history lesson’ of learning the family tree of Leica’s from the word GO. Model A or B or C, or 1, 11, 111, or F or G or Compur or Standard or or or or….. Go ahead, look em up…. It is quite the family tree and all of this occurred within 20-30 years. (1925 thru the 50’s). I settled on not getting the Leica 111 in any ‘letter’ which might follow. They were simply too close to the M3 and M2.

I narrowed it down to the Barnack version 1 or 2 (and there are sub-versions in between). I’ll let it go at that but did see a few on Ebay that I ‘watched’…never pulled on though, just watched. Today, as I walked around with my MA, I needed to ‘relieve my bladder’ so went into the local Unique Photo Store (Philadelphia) as they always have len’s I like, or more importantly, they had a bathroom I could borrow. On the way to the bathroom I started talking to the staff and they said they had Barnacks to sell… A Leitz 1, Model A…..a Leitz 11 and a Leitz 111F. Wow, all 3!I immediately perked up my energy to take a look but knew from the start that I didn’t want the Leitz 111F. That left me with the Leitz 1 and Leitz 11 as they stared at me on the counter. Pick me, pick me please. I picked up one, then the other. Tried this, pulled it to my face….pressed the shutters etc…. Gees ….which one? If they just had one of them it would have made a decision earsier.

Ultimately I decided that yes….screw Ebay….It would be better to buy one from the local camera shop who is aware of the camera’s history. Both of these came from the same collector so I knew they were in good shape. Sure, will most likely need a CLA but heck…who cares. I went back and forth and just decided I wanted the Leitz 1 Model A. No rangefinder….nothing, as opposed to the Leitz 11 which does have a rangefinder although not all what we think of what a rangefinder is, as we compare it to the current crop of focus models in the M line.

I liked the Leitz 1 Model A….. I focus by distance only. So, tonight I was grabbing my measuring tape and practiced distance…. How many feet from here to there? For, that is how I focus the Model A. I set the shutter, the ISO is film so already set, and I move my aperture and most likely to either F6.3 or F9, but they as those are the options. If I know the distance, and plug it in, I win….I get focus.

Does it work? Not sure……. I will play with it and expect some off-focus images until I know distance. If I can keep the shutter at 500 and F8 or F9, I should have enough depth of field where I can be ‘off in distance’ and still have focus. Again, will see…. More to come.

Barnacks Leitz 1 Model A, circa 1930. Black Paint with 5cm (50mm) lens.