It is here that I question what I see the masses doing. I don’t understand them as I see what is classified as street photography. It is more akin to just ‘passing people’ who are photographed on the sly by some digital tool ….snap, snap, snap and more snaps…How many snaps?
I am not stupid enough to think that there is only one definition (mine) for what street photography is….no, it goes way beyond that. It is the manner in which many photos are taken and what they represent, or better yet…what is not represented. The subject matter, the person, the action…etc…is all immaterial. With the advent of digital photography comes the ability to go beyond a 36 frame roll. It is all about pretending to take photo’s , although they are actually taken. It is all about finding the chance to walk across a crosswalk and snap away. Or, to snap someone from behind…..or to snap, snap, snap, snap…knowing that ‘one’ photo will come out looking good amongst the hundreds taken that day.
If you read my blogs…you know I am big into the analog feel. I want that feel for ‘me”….. I feel that my gear (Leica M3, Leica M6, Rioch GR111 and Leica X2) best allow me to maintain an analog feel even though some of those are digital. For instance, the Ricoh and X2 are digital, but by the time I take one shot, the subject in front of me has moved on. A single shot….a long lag time between when I take a shot, and when I can take another shot. That forces me to think like ‘film’…like analog. My Ricoh is pretty easy to manipulate since I do much ‘live’…. The X2 forces me to really think about my settings. It isn’t as forgiving as the Ricoh. In fact the X2 is more like the M6. I think about the F-stop, ….exposure, white balance, ISO. I turn the corner and I have to think again about the same, due to shadows or light or other.
I don’t just roam to roam and shoot and shoot. I have forced myself to slow down and take an image ‘one shot at a time’ so I have to wait sometimes to set up my shot. Today, I waited a good 30 minutes in one place as the ‘right’ situation developed. Today over the course of 4 hours, I took 13 difference scene shots. Now, some of those scenes, such as the one I just spoke of,…had more than one shot, while others (7 of the 13) had just one shot. So I end up with 7 scenes where I had the opportunity to have it right the first and last time. That is what I meant but slowing down….waiting for the shots.
But of ‘what shots’…’what scene’…. Well….does your shot have impact? Does it beg the viewer to ask questions? If so….that is solid street photography. It isn’t about shots in numbers, nor is it about getting cystal clear images. It isn’t about just a shot with no story behind it. It isn’t about random shots taken at hip, (to avoid detection) nor is it about having models working for me to pose in a certain way (the opposite of random hip-made shots). It is about finding that story, that ….question, that impact.